{"id":9218,"date":"2024-11-12T19:05:14","date_gmt":"2024-11-12T19:05:14","guid":{"rendered":"https:\/\/canada.iatse.net\/?p=9218"},"modified":"2024-11-12T19:10:16","modified_gmt":"2024-11-12T19:10:16","slug":"unions-and-guilds-press-telefilm-on-lack-of-protections-for-cast-crew-and-creatives","status":"publish","type":"post","link":"https:\/\/canada.iatse.net\/fr\/unions-and-guilds-press-telefilm-on-lack-of-protections-for-cast-crew-and-creatives\/","title":{"rendered":"LES SYNDICATS ET LES GUILDES DEMANDENT \u00c0 T\u00c9L\u00c9FILM D\u2019ASSURER UNE PROTECTION POUR LES ARTISTES, LES TECHNICIEN\u00b7NES ET LES CR\u00c9ATEUR\u00b7TRICES"},"content":{"rendered":"
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Huit grands syndicats et guildes envoient une lettre \u00e0 T\u00e9l\u00e9film au sujet des investissements de l\u2019agence dans des productions qui refusent de signer ou de respecter les ententes collectives<\/i><\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Toronto -<\/strong> Dans une lettre envoy\u00e9e aujourd'hui (cliquez ici pour le PDF<\/strong><\/a>), une coalition de huit grands syndicats et guildes, repr\u00e9sentant plus de 87 000 sc\u00e9naristes, r\u00e9alisateur\u00b7trices, interpr\u00e8tes, artistes et membres des \u00e9quipes de production du cin\u00e9ma et de la t\u00e9l\u00e9vision canadiens, a demand\u00e9 \u00e0 T\u00e9l\u00e9film Canada de ne plus financer les productions qui refusent de signer les ententes collectives ou qui ne respectent pas les normes minimales, privant ainsi de protection les professionnel\u00b7les de l\u2019industrie cr\u00e9ative.<\/p>

\u00c0 deux reprises, soit le 11 juillet et le 5 novembre, les syndicats et guildes \u00e9num\u00e9r\u00e9s ci-dessous ont rencontr\u00e9, de leur propre chef, des repr\u00e9sentant\u00b7es de la direction de T\u00e9l\u00e9film Canada. Ces huit groupes ont demand\u00e9 \u00e0 l\u2019agence d\u2019adopter la m\u00eame politique que celle d\u00e9j\u00e0 en place au Fonds des m\u00e9dias du Canada, exigeant que les productions financ\u00e9es par T\u00e9l\u00e9film demeurent en r\u00e8gle avec les syndicats et guildes de l\u2019industrie, et de ne plus financer les productions qui refusent cat\u00e9goriquement de signer des ententes collectives.<\/p>

Le 31 octobre, T\u00e9l\u00e9film a publi\u00e9 une mise \u00e0 jour des principes directeurs de son Programme d\u2019aide \u00e0 la production sans r\u00e9pondre \u00e0 ces pr\u00e9occupations et a indiqu\u00e9 qu\u2019il n\u2019y aurait pas de tels changements pour l\u2019exercice financier 2025-2026. Le 5 novembre, les repr\u00e9sentant\u00b7es de T\u00e9l\u00e9film ont r\u00e9it\u00e9r\u00e9 cette position.<\/p>

Aujourd\u2019hui, les huit groupes r\u00e9agissent \u00e0 la d\u00e9cision de T\u00e9l\u00e9film (lettre int\u00e9grale<\/a><\/strong>):<\/p>

\u00ab Contrairement au Fonds des m\u00e9dias du Canada (FMC) qui a d\u00e9j\u00e0 franchi une \u00e9tape, T\u00e9l\u00e9film refuse d\u2019adopter des exigences, afin de s\u2019assurer que les soci\u00e9t\u00e9s de production soient en \u00ab en r\u00e8gle avec toutes les associations et guildes de talents et de l'industrie applicables \u00bb.<\/p>

De plus, T\u00e9l\u00e9film continue d\u2019investir dans des productions qui refusent cat\u00e9goriquement de signer des ententes collectives ou qui ne les respectent pas, tout en n\u2019ayant aucune protection ou norme \u00e9quivalente pour les travailleurs de la production. Ces politiques d\u2019investissement laxistes s\u2019appliquent m\u00eame aux productions \u00e0 gros budget pour lesquelles la signature d\u2019accords sectoriels existants est depuis longtemps la norme. Ces pratiques probl\u00e9matiques minent l\u2019ensemble de l\u2019\u00e9cosyst\u00e8me de la production au Canada, privant de repr\u00e9sentation et de protection les professionnel\u00b7les de l\u2019industrie cr\u00e9ative.<\/p>

T\u00e9l\u00e9film a le pouvoir d\u2019adopter aujourd\u2019hui des mesures simples pour prot\u00e9ger les travailleur\u00b7euses du cin\u00e9ma et de la t\u00e9l\u00e9vision canadiens ainsi que les investissements des contribuables dans ces projets. Cette politique offre une certaine souplesse pour traiter des productions de diff\u00e9rentes envergures. Elle n\u2019entra\u00eene aucun nouveau co\u00fbt pour l\u2019agence. Et pourtant, T\u00e9l\u00e9film n\u2019a toujours pas agi. \u00bb<\/p>

La lettre poursuit en ces termes :<\/p>

\u00ab Toutes nos organisations croient fermement que l\u2019argent des contribuables ne devrait pas servir \u00e0 financer des productions qui refusent de signer des contrats \u00e9quitables ou de se conformer \u00e0 des normes minimales,<\/strong> laissant ainsi les professionnel\u00b7les de l\u2019industrie cr\u00e9ative sans repr\u00e9sentation ni protection. La d\u00e9cision de T\u00e9l\u00e9film d\u2019invoquer les lois du travail et le jargon bureaucratique pour repousser cette question \u00e0 plus tard est inacceptable.<\/p>

Nous demandons \u00e0 T\u00e9l\u00e9film de r\u00e9viser les lignes directrices de son programme de production \u00e0 temps pour sa prochaine assembl\u00e9e publique annuelle, le 28 novembre. Ces directives du programme devraient \u00eatre modifi\u00e9es pour garantir qu\u2019\u00e0 compter de 2025-2026, chaque production financ\u00e9e demeure en r\u00e8gle avec tous les syndicats et guildes concern\u00e9s et soit requise de signer des ententes collectives ou particuli\u00e8res garantissant des normes minimales de travail.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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La lettre \u00e0 T\u00e9l\u00e9film a \u00e9t\u00e9 sign\u00e9e par : Alliance of Canadian Cinema, Television and Radio Artists (ACTRA), Association des r\u00e9alisateurs et r\u00e9alisatrices du Qu\u00e9bec (ARRQ), Guilde Canadienne des R\u00e9alisateurs (GCR), International Alliance of Theatrical Stage Employees (IATSE), NABET 700-M UNIFOR, Soci\u00e9t\u00e9 des auteur.e.trice.s de radio, t\u00e9l\u00e9vision et cin\u00e9ma (SARTEC), L\u2019Union des Artistes (UDA), Writers Guild of Canada (WGC).<\/p>

Association des r\u00e9alisateurs et r\u00e9alisatrices du Qu\u00e9bec (ARRQ)<\/span><\/strong><\/p>

\u00ab T\u00e9l\u00e9film est souvent un exemple en mati\u00e8re de mise en \u0153uvre de politiques sociales telles que la promotion de l'\u00e9galit\u00e9 des genres et de la diversit\u00e9. Pourquoi r\u00e9sistent-ils \u00e0 \u00eatre exemplaires en veillant \u00e0 ce que les travailleurs culturels b\u00e9n\u00e9ficient de conditions minimales de travail ? \u00bb<\/p>

-Gabriel Pelletier, Pr\u00e9sident, Association des r\u00e9alisateurs et r\u00e9alisatrices du Qu\u00e9bec (ARRQ)<\/p>

Guilde Canadienne des R\u00e9alisateurs (GCR)<\/strong><\/span><\/p>

\u00ab T\u00e9l\u00e9film investit l\u2019argent des contribuables dans ces projets. Des professionnel\u00b7les de la cr\u00e9ation exp\u00e9riment\u00e9\u00b7es comme nos membres sont sur le terrain pour s\u2019assurer que l\u2019argent est bien d\u00e9pens\u00e9, et non pas mal d\u00e9pens\u00e9. L\u2019argent des contribuables ne devrait pas \u00eatre vers\u00e9 dans des productions qui refusent de signer des contrats \u00e9quitables, laissant ainsi les acteur\u00b7rices, l\u2019\u00e9quipe et les cr\u00e9ateur\u00b7rices sans protection. \u00bb<\/p>

\u2013 Dave Forget, directeur g\u00e9n\u00e9ral national, Guilde Canadienne des R\u00e9alisateurs (GCR)<\/p>

International Alliance of Theatrical Stage Employees (IATSE)<\/strong><\/span><\/p>

\u00ab En tant que bailleur de fonds publics, T\u00e9l\u00e9film a la responsabilit\u00e9 de veiller \u00e0 ce que tout b\u00e9n\u00e9ficiaire de ces fonds agisse de mani\u00e8re \u00e9quitable et \u00e9thique. Nous sommes heureux\u00b7ses qu\u2019ils semblent prendre cette responsabilit\u00e9 au s\u00e9rieux et nous les exhortons \u00e0 agir rapidement pour qu\u2019\u00e0 l\u2019avenir, les travailleur\u00b7euses canadien\u00b7nes des productions financ\u00e9es par T\u00e9l\u00e9film b\u00e9n\u00e9ficient d\u2019une certaine protection. \u00bb<\/p>

John M. Lewis, vice-pr\u00e9sident international et directeur des affaires canadiennes, International Alliance of Theatrical Stage Employees (IATSE)<\/p>

NABET 700-M UNIFOR<\/strong><\/span><\/p>

\u00ab En tant que syndicats et guildes repr\u00e9sentant les travailleurs talentueux qui se cachent derri\u00e8re l'industrie cin\u00e9matographique canadienne, nous nous engageons \u00e0 faire en sorte que tous les travailleur\u00b7euses soient trait\u00e9\u00b7es avec l'\u00e9quit\u00e9 et le respect qu'ils m\u00e9ritent. Notre partenariat avec T\u00e9l\u00e9film et les producteur\u00b7rices en r\u00e8gle est essentiel pour fa\u00e7onner un avenir durable et \u00e9quitable pour le cin\u00e9ma canadien. Il est essentiel que T\u00e9l\u00e9film continue de respecter les normes de pointe de l'industrie en mati\u00e8re de pratiques de travail, en veillant \u00e0 ce que le financement qu'elle attribue soutienne non seulement la vision cr\u00e9ative, mais aussi les personnes qui rendent cette vision possible. Nous sommes in\u00e9branlables dans notre engagement \u00e0 d\u00e9fendre des contrats \u00c9QUITABLES et de solides protections pour nos membres, et nous travaillons ensemble pour nous assurer que T\u00e9l\u00e9film partage cette vision d'une industrie juste et prosp\u00e8re. \u00bb<\/p>

Ryan Pogue - Pr\u00e9sident, Nabet 700-M Unifor<\/p>

Soci\u00e9t\u00e9 des auteur.e.trice.s de radio, t\u00e9l\u00e9vision et cin\u00e9ma (SARTEC)<\/strong><\/span><\/p>

\u00ab ll est plus qu\u2019urgent que T\u00e9l\u00e9film Canada nous garantisse que l\u2019argent public investi en productions audiovisuelles est utilis\u00e9 de fa\u00e7on responsable, comme c\u2019est le cas d\u2019autres organismes publics dans de nombreuses industries au Canada. Pourrait-on imaginer que le Canada investisse des fonds dans des travaux publics pour lesquels les travailleurs et travailleuses seraient pay\u00e9s en dessous des minimums n\u00e9goci\u00e9s ? \u00bb<\/p>

\u2013Laurent Dubois, Directeur g\u00e9n\u00e9ral, Soci\u00e9t\u00e9 des auteur.e.trice.s de radio, t\u00e9l\u00e9vision et cin\u00e9ma (SARTEC)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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M\u00e9dia<\/strong><\/p>

ARRQ - V\u00e9roushka Eug\u00e8ne, Responsable des communications et des \u00e9v\u00e9nements,\u00a0veroushka@arrq.quebec<\/a><\/p>

GCR - Julia Beyer Agostini \u2013 Sp\u00e9cialiste principale des communications,\u00a0igillespie@dgc.ca<\/a><\/p>

IATSE - Krista Hurdon, repr\u00e9sentante internationale,\u00a0khurdon@iatse.net<\/a><\/p>

SARTEC - Isabelle Desmarais, Conseill\u00e8re aux communications, 514.602.0977,\u00a0Idesmarais@sartec.qc.ca<\/a><\/p>

WGC- Lisa Blanchette, Communications, 437-871-3367,\u00a0l.blanchette@wgc.ca<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Huit syndicats et guildes importants envoient une lettre \u00e0 T\u00e9l\u00e9film concernant les investissements continus de l'agence dans des projets qui refusent de signer ou de respecter les conventions collectives Toronto - Dans une lettre envoy\u00e9e aujourd'hui [...]<\/p>","protected":false},"author":2,"featured_media":9242,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[5],"tags":[],"yoast_head":"\nUnions and Guilds Press Telefilm On Lack of Protections for Cast, Crew and Creatives - IATSE Canada<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/canada.iatse.net\/fr\/unions-and-guilds-press-telefilm-on-lack-of-protections-for-cast-crew-and-creatives\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Unions and Guilds Press Telefilm On Lack of Protections for Cast, Crew and Creatives - 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